CAJ | 학술논문

为了对叙事作品的整体美学效果进行评价，修辞美学旨在理解具体叙事作品建构的美学原则以及这些原则的具体执行情况。本文通过援引修辞叙事学理论，围绕“攫取克隆人身体器官”这一核心事件，分析小说《别让我走》中的审美判断。在小说中，隐含作者石黑一雄通过运用“第一人称回顾性叙述中特有的双重聚焦”的叙事技巧，以及对文体、叙述者和叙事进程的操纵，来揭示自己的审美判断，完美地实现了小说叙事的美学原则。
위료대서사작품적정체미학효과진행평개，수사미학지재리해구체서사작품건구적미학원칙이급저사원칙적구체집행정황。본문통과원인수사서사학이론，위요“확취극륭인신체기관”저일핵심사건，분석소설《별양아주》중적심미판단。재소설중，은함작자석흑일웅통과운용“제일인칭회고성서술중특유적쌍중취초”적서사기교，이급대문체、서술자화서사진정적조종，래게시자기적심미판단，완미지실현료소설서사적미학원칙。
In order to evaluate the efficacy of the narrative works of the overall aesthetics, aesthetic rhetoric aesthetics aims to understand the specific narrative works construction principle and the concrete implementation of these principles. This paper quoted the rhetorical theory of narrative, “grab the clone body organs” the central event of the analysis of novel aesthetic judgment of “don't let me go”. In the fiction, the implied author Kazuo Ishiguro uses “double focus” peculiar to the first person retrospective narrative skills, as well as to the literary style, the manipulation of the narrator and narrative process, to reveal their aesthetic judgment, perfectly realize the novel narrative aesthetic principles.