CAJ | 학술논문

“声文”和“形文”是刘勰在《文心雕龙·情采》篇阐述“立文之道”时提出的两个概念。声文之美指向音声的和谐美感层面，形文之美指向辞藻的赋色造形层面。晚唐诗人咏物，既注重从声律的拗救、用韵的洪细开合、声调的平仄错综和音节的重叠呼应等方面展现诗歌的音乐性美感；又擅长以镜头式书写构置画面，并以对偶的格律形式表现体物的内容，从藻饰和构形两方面体现形文之美的核心要求。声情并茂，结藻精美，晚唐咏物诗正是通过音与形的共同作用彰显出情韵之美。
“성문”화“형문”시류협재《문심조룡·정채》편천술“립문지도”시제출적량개개념。성문지미지향음성적화해미감층면，형문지미지향사조적부색조형층면。만당시인영물，기주중종성률적요구、용운적홍세개합、성조적평측착종화음절적중첩호응등방면전현시가적음악성미감；우천장이경두식서사구치화면，병이대우적격률형식표현체물적내용，종조식화구형량방면체현형문지미적핵심요구。성정병무，결조정미，만당영물시정시통과음여형적공동작용창현출정운지미。
Liu Xie put forward the two concepts of “sound pattern” and “shape pattern” in the “emotion and diction”. The beauty of sound pattern is point to the pleasing rhyming level, and the beauty of shape pattern is point to the colorful rhetoric level. This thesis uses the text of Yongwu Poetry in the Late-Tang Dynasty as a medium, then narrates the two concepts respectively: it analyzes the beauty of sound pattern from the sound law, the rhyme, the tone and the syllable; and also analyzes the beauty of shape pattern from the formation of the poetic picture and antithetical parallelism. The aesthetic effects which is constituted by the sound and shape shows up in the Yongwu Poetry, which can both beautify poetry language and conducive emotional expression. Because of these interaction, the affective beauty of Yongwu Poetry in the Late-Tang Dynasty has been more prominent.