CAJ | 학술논문

在精神分析理论及女权主义理论的双重观照下，张艺谋的新作《归来》呈现出一个与表层故事完全不同的面相。父亲与女性欲望的冲突及其引发的认同问题既是影片的主要架构，也构成影片潜在的文本。影片在形式层面采用古典叙事电影的语言表达手法，形式上的相对保守与内容上的激进产生一种暧昧性的张力，使该片向一种开放的解读空间敞开。
재정신분석이론급녀권주의이론적쌍중관조하，장예모적신작《귀래》정현출일개여표층고사완전불동적면상。부친여녀성욕망적충돌급기인발적인동문제기시영편적주요가구，야구성영편잠재적문본。영편재형식층면채용고전서사전영적어언표체수법，형식상적상대보수여내용상적격진산생일충애매성적장력，사해편향일충개방적해독공간창개。
Under the dual contemplation of psychoanalytic theory and feminist theory, Zhang Yimou’ s new film Coming Home presents a completely different story from its skin layer.The conflict between“father”and female desire and the recognition problem caused by the “father” are not only the main frame of the film, but also the film's potential text.At the formal level, the film uses classical narrative form.The ambiguity, which caused by radical content and relatively conservative in form, makes the film open to an open interpre-tation.