文博
文博
문박
Relics and Museology
2015年
5期
57-64
,共8页
墓室环境%建筑与图像程序%象征意义
墓室環境%建築與圖像程序%象徵意義
묘실배경%건축여도상정서%상정의의
Tomb Chamber Settings%Architecture and Image Procedures%Symbolic Meanings
本文认为陕西韩城盘乐村宋墓壁画虽然以墓主人为中心，但是不能直接用墓主的工作、信仰和娱乐解释。该墓壁画将宋辽时期业已成熟和完善的图像重新组合、绘制在墓室的相应空间，从而产生了独特的建筑与图像程序和象征意义：寂灭为乐。通过艺术化、戏剧化的墓室环境完成了墓主生死的转化和超越。
本文認為陝西韓城盤樂村宋墓壁畫雖然以墓主人為中心，但是不能直接用墓主的工作、信仰和娛樂解釋。該墓壁畫將宋遼時期業已成熟和完善的圖像重新組閤、繪製在墓室的相應空間，從而產生瞭獨特的建築與圖像程序和象徵意義：寂滅為樂。通過藝術化、戲劇化的墓室環境完成瞭墓主生死的轉化和超越。
본문인위협서한성반악촌송묘벽화수연이묘주인위중심，단시불능직접용묘주적공작、신앙화오악해석。해묘벽화장송료시기업이성숙화완선적도상중신조합、회제재묘실적상응공간，종이산생료독특적건축여도상정서화상정의의：적멸위악。통과예술화、희극화적묘실배경완성료묘주생사적전화화초월。
ABSTRACT:This paper pointed out, in the murals of the tomb of the Song Dynasty at Panle Village in Hancheng, Shaanxi, the central role was indeed the tomb occupant, but the murals could not be directly interpreted as the reappearances of the work, belief and entertainment of the tomb occupant. The murals of this tomb assembled the motifs which had been matured and perfected in the Song and Liao Dynasties and painted them in the corresponding locations of the tomb chamber, and formed the unique symbolic meaning and procedure of the architecture and images: silent disappearance (death) is a joy. The transformation and transcendence of the life to death of the tomb occupant were completed through the artistic and dramatic tomb chamber settings.
