石家庄铁道大学学报（社会科学版）
石傢莊鐵道大學學報（社會科學版）
석가장철도대학학보（사회과학판）
Journal of Shijiazhuang Railway Institute (Social Sciences)
2015年
3期
57-61
,共5页
刘勰%《文心雕龙》%道家%神思%创作论
劉勰%《文心彫龍》%道傢%神思%創作論
류협%《문심조룡》%도가%신사%창작론
Liu Xie%Carving a Dragon at the Core of Literature%taoism%wandering mind%lit-erary creation theory
《文心雕龙》阐释主体浸染了佛教色彩。在思想大融合的时代背景下，刘勰也接纳了道家理念，试图将佛道思想融汇于自己的文学理论当中。《神思篇》作为创作论的总纲，是《文心雕龙》中具有关键意义的一章，其中蕴涵深厚的道家思想。刘勰在吸收老庄思想后，从创作准备、创作心态、创作原则、创作方法、创作思想五个方面铺展创作总论，继承了道家的游心思想、虚静精神、尚天性主张、学习论、言意观，充分运用了道家思辨法。
《文心彫龍》闡釋主體浸染瞭彿教色綵。在思想大融閤的時代揹景下，劉勰也接納瞭道傢理唸，試圖將彿道思想融彙于自己的文學理論噹中。《神思篇》作為創作論的總綱，是《文心彫龍》中具有關鍵意義的一章，其中蘊涵深厚的道傢思想。劉勰在吸收老莊思想後，從創作準備、創作心態、創作原則、創作方法、創作思想五箇方麵鋪展創作總論，繼承瞭道傢的遊心思想、虛靜精神、尚天性主張、學習論、言意觀，充分運用瞭道傢思辨法。
《문심조룡》천석주체침염료불교색채。재사상대융합적시대배경하，류협야접납료도가이념，시도장불도사상융회우자기적문학이론당중。《신사편》작위창작론적총강，시《문심조룡》중구유관건의의적일장，기중온함심후적도가사상。류협재흡수로장사상후，종창작준비、창작심태、창작원칙、창작방법、창작사상오개방면포전창작총론，계승료도가적유심사상、허정정신、상천성주장、학습론、언의관，충분운용료도가사변법。
The book,Carving a Dragon at the Core of Literature written by Liu Xie,is mainly af-fected by Buddhism.During the Wei,Jin and the Southern and Northern Dynasties,different academ-ic thoughts coexisted and merged.Liu also accepted the Taoist ideology,so he tried to blend Buddhist ideas and Taoist thought into his literary theory.As the general program of literary creation theory, Wandering Mind ,which implies profound Taoist thoughts,is crucial to the book.Liu expresses his theory in five aspects———creation preparation,creation mentality,creative principle,creative method and creative idea after absorbing the thoughts of Lao Zi and Zhuang Zi.Liu inherits the Taoism,such as the fanciful idea,the void and quiet mind,the nature,the learning theory and the concept of ex-pression and meaning,making full use of Taoistic exercise.
