CAJ | 학술논문

随着我国经济的发展和城市化进程的加快，大众文化生活方式在一定程度上已成为主流文化。而以超前的理念和反叛的形式著称的先锋戏剧也在大众文化视阈下进行了新的探索。1999年《恋爱的犀牛》首演后，曾激发了业内关于“先锋是否可以商业化”的大讨论。十多年来，这出话剧已演出上千场，盛演不衰，是中国当代话剧史上的一大奇观。本文将以99版《恋爱的犀牛》为例，分析中国当代先锋戏剧在大众文化兴盛的今天将做何选择。
수착아국경제적발전화성시화진정적가쾌，대음문화생활방식재일정정도상이성위주류문화。이이초전적이념화반반적형식저칭적선봉희극야재대음문화시역하진행료신적탐색。1999년《연애적서우》수연후，증격발료업내관우“선봉시부가이상업화”적대토론。십다년래，저출화극이연출상천장，성연불쇠，시중국당대화극사상적일대기관。본문장이99판《연애적서우》위례，분석중국당대선봉희극재대음문화흥성적금천장주하선택。
With the development of China's economy and the speeding up of cities,the mass culture has become a mainstream culture to a certain extent.Known for its advanced concept and rebellion form,pioneer drama also made a new exploration in the perspective of mass culture.The premiere of "Rhinoceros In Love"in 1 999 has aroused great debate on whether pioneer should be commercial industry or not.For more than a decade,the play has been performed 1 000 times,filled his popularity, which is a great spectacle of China contemporary drama history.This paper will take the 1 999 version of "Rhinoceros In Love"as an example,analyzes how Chinese contemporary avant -garde theatre will choose to do in popular culture flourishing today.