CAJ | 학술논문

晚明时期，文艺美学活动的以“俗”化“雅”，甚至以“俗”为“雅”，是对个性解放潮流的响应和推动。其时，手工业和商品经济日趋繁荣，小商品生产者明显分化，资本主义萌芽初步产生的时代，以“俗”为“雅”，一定程度上是当时新兴阶层思想的微弱反映。泰州学派王艮所提倡的“日用百姓之道”，封建“异端”李贽所宣扬的“人必有私”“因材”“并育”，无不是对新兴阶层的支持，对个性自由发展的尊重。这种争取个性解放的进步思想体现在艺术创作的实践中，则鲜明地表现为雅俗审美诉求的转化与互补，从中，可以看到那个时代的美学精神，感应到时代的律动。
만명시기，문예미학활동적이“속”화“아”，심지이“속”위“아”，시대개성해방조류적향응화추동。기시，수공업화상품경제일추번영，소상품생산자명현분화，자본주의맹아초보산생적시대，이“속”위“아”，일정정도상시당시신흥계층사상적미약반영。태주학파왕간소제창적“일용백성지도”，봉건“이단”리지소선양적“인필유사”“인재”“병육”，무불시대신흥계층적지지，대개성자유발전적존중。저충쟁취개성해방적진보사상체현재예술창작적실천중，칙선명지표현위아속심미소구적전화여호보，종중，가이간도나개시대적미학정신，감응도시대적율동。
In late Ming dynasty , it is the response and push for personality liberation of the trend that aes-thetics interest of literature and art activities gradually change from “vulgarity”to “elegance”, even take“vulgarity”as “elegance”itself.During that period of time , handicraft industry and commodity economy boom , commodity producers have clear differentiation , capitalism is at the preliminary stage , therefore , tak-ing “vulgarity”as“elegance”reflects the initial idea of the newly-emerging class .Wang Gen , representative personage of Taizhou school of thought , advocates “daily”people, Li Zhi, the feudal “heresy”, preaches“the absolute selfness of persons”,“teaching students in accordance with their aptitude ”and “growing to-gether”, all support the newly-emerging class , respect the freedom of personality development .The fight for the progress of individuality liberation thought is embodied in the artistic creation practice , the distinctive expression is composed by the transformation of the aesthetic appeal and complementary .Thus, the aesthetic spirit of the era is revealed .