CAJ | 학술논문

张善琨是孤岛时期中国电影界最典型的商业代表，抗战夹缝中的灰色岁月注定使他成为一个被“双重敌化”的颇具争议性的人物。不过，倘若回到民国历史重新认知张善琨及其影业公司如“新华”现象，我们就会对历史与历史人物的复杂性有更丰富贴切的不同认知。事实上，在经济利益诉求上，孤岛求生的张善琨在客观上是推动民族影业发展的旗手与功臣；在多种力量相对并存的民国电影格局之下，张善琨所代表的影业可谓民间一方的中流砥柱。
장선곤시고도시기중국전영계최전형적상업대표，항전협봉중적회색세월주정사타성위일개피“쌍중활화”적파구쟁의성적인물。불과，당약회도민국역사중신인지장선곤급기영업공사여“신화”현상，아문취회대역사여역사인물적복잡성유경봉부첩절적불동인지。사실상，재경제이익소구상，고도구생적장선곤재객관상시추동민족영업발전적기수여공신；재다충역량상대병존적민국전영격국지하，장선곤소대표적영업가위민간일방적중류지주。
Zhang Shankun is the most typical business representative in Chinese film industry during the pe -riod of “isolated island”.He was destined to be a controversial figure and was “double againsted” in the grey days of the Anti-Japanese War cracks .However , if coming back to the Republic of China , people would re-recognize Zhang Shankun and his film company , such as “Xinhua” phenomenon , and would have different and more appropriate cognition of the complexity of history and historical figures .In fact, on the e-conomic interests , struggled in the island survival , Zhang Shankun is the flag bearer and contributor to pro-mote the development of national film industry;and under the pattern of the coexistence of diverse power at that time , the film industry represented by Zhang Shankun is the mainstay of the civil society .