深圳大学学报(人文社会科学版)
深圳大學學報(人文社會科學版)
심수대학학보(인문사회과학판)
Journal of Shenzhen University (Humanities & Social Sciences)
2015年
5期
32-36
,共5页
符号学%恶搞英雄%青年亚文化%主流意识形态%互动
符號學%噁搞英雄%青年亞文化%主流意識形態%互動
부호학%악고영웅%청년아문화%주류의식형태%호동
semeiology%hero spoof%youth subculture%the mainstream ideology%interaction
英雄是人们在社会互动中形成的具有意识形态意义的符号体系,是统治精英、主流意识形态实现社会整合、维护自身合法性的重要工具。“恶搞英雄”本质上是某些青年亚文化受到激进社会思潮的影响,以现代犬儒主义的方式,与主流意识形态间的一种互动博弈形式。这种文化现象承载着鲜明的政治意蕴,严重危害了国家的意识形态安全,是名副其实的“恶文化”。终止恶搞英雄之歪风,应从根源上对英雄进行与时俱进的重塑,即坚持历史性与时代性、精英主义与草根主义相结合,实现从政治符号的价值认同到弘扬时代精神的转变和从完美主义的简单构造到现实主义的综合构造的转变。并以此为契机,反思青年亚文化与主流意识形态的关系,用社会主义主流意识形态引领青年亚文化的发展,促进二者的良性互动和融合共生。
英雄是人們在社會互動中形成的具有意識形態意義的符號體繫,是統治精英、主流意識形態實現社會整閤、維護自身閤法性的重要工具。“噁搞英雄”本質上是某些青年亞文化受到激進社會思潮的影響,以現代犬儒主義的方式,與主流意識形態間的一種互動博弈形式。這種文化現象承載著鮮明的政治意蘊,嚴重危害瞭國傢的意識形態安全,是名副其實的“噁文化”。終止噁搞英雄之歪風,應從根源上對英雄進行與時俱進的重塑,即堅持歷史性與時代性、精英主義與草根主義相結閤,實現從政治符號的價值認同到弘颺時代精神的轉變和從完美主義的簡單構造到現實主義的綜閤構造的轉變。併以此為契機,反思青年亞文化與主流意識形態的關繫,用社會主義主流意識形態引領青年亞文化的髮展,促進二者的良性互動和融閤共生。
영웅시인문재사회호동중형성적구유의식형태의의적부호체계,시통치정영、주류의식형태실현사회정합、유호자신합법성적중요공구。“악고영웅”본질상시모사청년아문화수도격진사회사조적영향,이현대견유주의적방식,여주류의식형태간적일충호동박혁형식。저충문화현상승재착선명적정치의온,엄중위해료국가적의식형태안전,시명부기실적“악문화”。종지악고영웅지왜풍,응종근원상대영웅진행여시구진적중소,즉견지역사성여시대성、정영주의여초근주의상결합,실현종정치부호적개치인동도홍양시대정신적전변화종완미주의적간단구조도현실주의적종합구조적전변。병이차위계궤,반사청년아문화여주류의식형태적관계,용사회주의주류의식형태인령청년아문화적발전,촉진이자적량성호동화융합공생。
Hero is an ideological symbol system people form in social interaction. It is an important instrument for the ruling elites and the mainstream ideology to achieve social integration and safeguard their legitimacy. Hero spoof is essentially an interaction between some youth subcultures influenced by radical social thought and the mainstream ideology in the way of modern cynicism. This cultural phenomenon carries obvious political implication and causes serious damage to national ideological security; it is a truly “evil culture”. In order to terminate the unhealthy trend of hero spoof at the source, we need redefine heroes and make them keep in pace with the time, namely, we should insist on the conception that heroes are great people historically memorable and currently honorable whether they are social elites or grassroots. In this way we seek to realize the transition from value recognition of political symbols to promotion of spirit of the times, and from the simple structure of perfectionism to the complex organization of realism. And we should take this opportunity to reflect on the relationship between the youth subculture and the main stream ideology, to guide the development of youth subcultures with the mainstream socialist ideology, and promote the positive interaction and integration between the two.