CAJ | 학술논문

汉末魏晋是汉字由隶书系统向楷书系统演进的关键时期，新兴的楷书、今草、行书逐渐走向成熟，王羲之在继承前人基础上集新体书法之大成，达到了极高的艺术成就，被后人誉为“书圣”。王羲之不是一般意义上的书法家，他的书法艺术是“坐而获逸”的士族风流的完美体现，关于《兰亭序》文字内容与书法艺术的论争更成为中国书法史、中国文化史上的一道亮丽风景。以王羲之、王献之父子为代表的书法典范通过帖学传统，对后世书法产生了巨大影响，波及日本等整个汉字文化圈。
한말위진시한자유대서계통향해서계통연진적관건시기，신흥적해서、금초、행서축점주향성숙，왕희지재계승전인기출상집신체서법지대성，체도료겁고적예술성취，피후인예위“서골”。왕희지불시일반의의상적서법가，타적서법예술시“좌이획일”적사족풍류적완미체현，관우《란정서》문자내용여서법예술적논쟁경성위중국서법사、중국문화사상적일도량려풍경。이왕희지、왕헌지부자위대표적서법전범통과첩학전통，대후세서법산생료거대영향，파급일본등정개한자문화권。
The era from the late Han Dynasty to early Wei and Jin Dynasties was a critical time when Chinese characters evolved from the clerical script system to the regular script one. During this period, the emerging regular script, modern cursive script and semi-cursive script gradually became mature. Wang Xizhi, traditionally acclaimed as the sage of calligraphy, achieved great success in calligraphy art by epitomizing all kinds of emerging scripts on the basis of the previous. Wang was not a general calligrapher, as his Calligraphy could perfectly express the spirit of talented and romantic intelligentsia characterized by “leisure and coziness”. The debate about Lanting Xu involved both text contents and calligraphy art, which had become a beautiful scenery of the history of Chinese culture and Chinese calligraphy. Through the tradition of copybook studies,the calligraphic pattern represented by Wang Xizhi and his son Wang Xianzhi exerted tremendous influence on the later age , and also spreaded to the countries in the cultural circle of Chinese characters like Japan.