CAJ | 학술논문

《天路历程》是英国文学史上里程碑式的作品，尽管研究颇多，但从作者与读者的思维与认知的角度仍有尚多挖掘空间。马克·特纳在《文学的心灵》中所提出的空间认知理论为此研究提供了理论依据。小说文本中蕴含的从源空间到目标空间的投射模式、多重空间混合以产生更丰富的含义，以及读者通过想象获得的跨空间的全面认知，揭示出作者班扬在创作文学作品与读者理解作品时与空间密不可分的思维模式。如此便可对小说的创作思维与读者的理解思维作出新的解释，说明利用空间进行认知是人的基本思维方式。
《천로역정》시영국문학사상리정비식적작품，진관연구파다，단종작자여독자적사유여인지적각도잉유상다알굴공간。마극·특납재《문학적심령》중소제출적공간인지이론위차연구제공료이론의거。소설문본중온함적종원공간도목표공간적투사모식、다중공간혼합이산생경봉부적함의，이급독자통과상상획득적과공간적전면인지，게시출작자반양재창작문학작품여독자리해작품시여공간밀불가분적사유모식。여차편가대소설적창작사유여독자적리해사유작출신적해석，설명이용공간진행인지시인적기본사유방식。
The Pilgrim’s Progress stands out as a landmark in the history of British literature. In spite of its considerable research, the exploration from the perspectives of the author as well as the reader’s thinking and cognition remains to be done. The theory of cognitive space put forward by Mark Turner in The Literary Mind provides a theoretical foundation for such studies.As reflected in the novel texts,the proj ection mode from the source space to the target space,the blending of multiple spaces which gives rise to rich meanings and the reader’s comprehensive cognition across spaces through imagination reveal that the thinking modes of Bunyan’s creation and the reader’s understanding are closely connected with the space,so as to interpret the creation and understanding thought from a new angle and illustrate that the cognition by means of space is people’s fundamental way of thinking.