CAJ | 학술논문

从媒介的角度看,西方文化中"无功利"的审美态度,作为一种图像知觉的方式,实际上是拼音文字导致的结果.拼音文字造成了视觉和听觉的分裂.在这个基础上形成的透视这种视觉模式,不但排斥时间,而且也排斥跟时间有关的身体经验.这就造成一种"麻木",像神话传说中的那喀索斯那样,无法感觉到他看见的实际上是自己的图像.摄影是以透视为基础的,因此也延续了这样一种图像知觉的方式.
종매개적각도간,서방문화중"무공리"적심미태도,작위일충도상지각적방식,실제상시병음문자도치적결과.병음문자조성료시각화은각적분렬.재저개기출상형성적투시저충시각모식,불단배척시간,이차야배척근시간유관적신체경험.저취조성일충"마목",상신화전설중적나객색사나양,무법감각도타간견적실제상시자기적도상.섭영시이투시위기출적,인차야연속료저양일충도상지각적방식.
From the perspective of media, the "non-utilitarian" aesthetic attitude in Western culture, as a mode of image perception, is the result of alphabetic writing. Alphabetic writing causes the separation of vision and hearing. The visual mode of perspective formed on this basis repels not only time, but also time-related body experience. This has led to a kind of "numbness", just like the case of Narcissus in a mythical legend who could not feel that what he has seen is actually his own image. Photography is based on perspective; therefore it continues this mode of image perception.