CAJ | 학술논문

天津民间美术三绝之一"风筝魏"曾面临着产业化和作坊式两种生产经营理念的分歧.事实证明,采用传统手工艺作坊的生产经营方式更有利于民间美术的保护和传承.尤其对于类似"风筝魏"和"泥人张"这样的民间美术"世家",以父子、夫妻、师徒为主的家庭手工艺作坊更是承袭其工艺品质和艺术风格的最有效保证.
천진민간미술삼절지일"풍쟁위"증면림착산업화화작방식량충생산경영이념적분기.사실증명,채용전통수공예작방적생산경영방식경유리우민간미술적보호화전승.우기대우유사"풍쟁위"화"니인장"저양적민간미술"세가",이부자、부처、사도위주적가정수공예작방경시승습기공예품질화예술풍격적최유효보증.
"Kite Wei", one of the three unique skills of folk arts and crafts in Tianjin, once faced the choice between two different manufacture and management concepts, that is, industrialization and workshop production. It turns out that adopting the manufacture and management mode of traditional workshops is more beneifcial to preserving and inheriting folk art. Especially for such "well-known families" of folk art as "Kite Wei" and "Clay ifgurine Zhang", family handicraft workshops, in which father and son, husband and wife, and master and apprentice play the leading role, are the most effective guarantees of inheriting their quality and artistic style.