CAJ | 학술논문

俄国经典文学文本是一部表现女性孤独与卓越的形象史。从普希金到托尔斯泰，再到现当代文学中的帕斯捷尔纳克和索尔仁尼琴，作家们总是把中心女主人公置于其他主人公，尤其是男主人公的思想关照与考量之中，使女性人物形象的刻画居于作品的核心。正是强烈的比照艺术，凸现了俄国经典文学经久不衰的深邃的思想意义和艺术价值。使文学文本中的“她世界”成为作家们对人的存在境遇所写的最佳注释。
아국경전문학문본시일부표현녀성고독여탁월적형상사。종보희금도탁이사태，재도현당대문학중적파사첩이납극화색이인니금，작가문총시파중심녀주인공치우기타주인공，우기시남주인공적사상관조여고량지중，사녀성인물형상적각화거우작품적핵심。정시강렬적비조예술，철현료아국경전문학경구불쇠적심수적사상의의화예술개치。사문학문본중적“저세계”성위작가문대인적존재경우소사적최가주석。
Russian classical literature often presents an image history of both female loneliness and brilliance. From Pushkin to Tolstoy,to Pasternak and Solzhenistyn,books tend to place female protagonists at the forefront of narratives, often contrasted against their male counterparts. This has enabled the“She-World”to become an optimal interpretation of circumstances surrounding human existence.