蒲松龄研究
蒲鬆齡研究
포송령연구
Pusongling Research
2015年
3期
5-12
,共8页
蒲松龄%孤愤%怀才不遇%本意
蒲鬆齡%孤憤%懷纔不遇%本意
포송령%고분%부재불우%본의
Pu Songling%deep indignation unrecognized%genius unrecognized%ori-ginal intention
蒲松龄所谓的"孤愤",其实只是指怀才不遇.他在潦倒落拓的大半生之中费尽心血创作的《聊斋志异》,集中展示了自己的才华,同时也从反面显露了自己的"孤愤".从内容上去阐释他的"孤愤",虽然不是他的本意,但也符合文学文本的多义性.
蒲鬆齡所謂的"孤憤",其實隻是指懷纔不遇.他在潦倒落拓的大半生之中費儘心血創作的《聊齋誌異》,集中展示瞭自己的纔華,同時也從反麵顯露瞭自己的"孤憤".從內容上去闡釋他的"孤憤",雖然不是他的本意,但也符閤文學文本的多義性.
포송령소위적"고분",기실지시지부재불우.타재로도락탁적대반생지중비진심혈창작적《료재지이》,집중전시료자기적재화,동시야종반면현로료자기적"고분".종내용상거천석타적"고분",수연불시타적본의,단야부합문학문본적다의성.
Pu Song-ling's so-called deep indignation unrecognized means nothi-ng but his genius unrecognized. Strange Stories from a Chinese Studio by Pu Song-ling intensely represents his talents and at the same time his deep indign-ation of his genius unrecognized on the flip side. Although not his original intention,the exploration for the book from its' contents such as imperial exami-nations,officialdom and the ways of the world,still accords to the theory of am-guity of a text.
