CAJ | 학술논문

中国古代庄子提出“无用之用”观点，是中国传统美学中对审美价值非功利性的表述，与之一派的西方观点有席勒的“审美无利害关系”。评定“有用”的标准之一，是人在复杂的社会关系中扮演好了所必须的角色，尽责去承担了各种必须承担的责任。那么，他所呈现的结果可以用“有用”来形容，可以定义为一个成功的人。而“无用”，则是当一个人的社会属性减弱时，所显现出的“自我”的特征。或许时常被人定义为无意义的事物，但这些“无用之物”却恰恰最见心见性，提升个人的审美情操。而在如今这个浮躁的社会，人们缺少的恰是这份“宁静致远”的修养，这一命题不仅提升人类的自身审美构建，而且对异化日益严重的现代社会更是有重要的现实意义。
중국고대장자제출“무용지용”관점，시중국전통미학중대심미개치비공리성적표술，여지일파적서방관점유석륵적“심미무리해관계”。평정“유용”적표준지일，시인재복잡적사회관계중분연호료소필수적각색，진책거승담료각충필수승담적책임。나요，타소정현적결과가이용“유용”래형용，가이정의위일개성공적인。이“무용”，칙시당일개인적사회속성감약시，소현현출적“자아”적특정。혹허시상피인정의위무의의적사물，단저사“무용지물”각흡흡최견심견성，제승개인적심미정조。이재여금저개부조적사회，인문결소적흡시저빈“저정치원”적수양，저일명제불부제승인류적자신심미구건，이차대이화일익엄중적현대사회경시유중요적현실의의。
The ancient Chinese Zhuangzi proposed the view of"uselessness", which is a non-utilitarian expression of aesthetic value in traditional Chinese aesthetics, and its Western equiva-lence is Schiller's"disinterested aesthetics". One of the standards to assess"usefulness"is that a person well plays his unshirkable role in a complex social relationship and shoulders various re-sponsibilities that he must shoulder without complaint. Then the result he presents can be described as "usefulness" and he can be defined as a successful person. While"uselessness"is a"self"feature shown when a person's social attributes weaken. Maybe those often defined as meaningless things are precisely the very essence and can enhance a person's aesthetic sentiment. In to-day's fickle society, what people lack is precisely the accom-plishment of"leading a quiet life" which not only improves hu-mans' aesthetic construction, but also has important realistic sig-nificance for the increasingly alienated modern society.