CAJ | 학술논문

金逸作为袁枚“闺中三大知己”之一，其诗歌创作所呈现出的风貌也成为袁枚“性灵”理论的一块镜子。从随园弟子的角度看，她与袁枚的交往成为了她投身“性灵”的原因；而从闺阁写作来看，她的创作又始终体现着女性的细腻柔婉。她的身世既平稳又坎坷，天生的聪慧与短暂的生命始终构成一对矛盾。在对她的研究中，乾嘉时期闺阁写作的个性与风貌也随之显现。
금일작위원매“규중삼대지기”지일，기시가창작소정현출적풍모야성위원매“성령”이론적일괴경자。종수완제자적각도간，저여원매적교왕성위료저투신“성령”적원인；이종규각사작래간，저적창작우시종체현착녀성적세니유완。저적신세기평은우감가，천생적총혜여단잠적생명시종구성일대모순。재대저적연구중，건가시기규각사작적개성여풍모야수지현현。
As one of the three female bosom friends of Yuan Mei,Jin Yi reveals her poet creation style that becomes a mirror of Yuan Mei’s theory of spirit. From the perspective of Suiyuan disciples,her contact with Yuan Mei makes her devoted to the theory of spirit;from the perspective of female writing,her creation reveals the exquisiteness and tenderness of females. Her life is calm and un-lucky. She is born brilliant but has a brief life. When studying her,the features and styles of female writing in the Qianjia Period e-merge accordingly.