CAJ | 학술논문

《傲慢与偏见》是19世纪现实主义作家简·奥斯汀的精心之作. 自出版近200年以来,它始终以独特的艺术魅力备受读者与评论家的青睐.文章运用叙事学理论,试从叙事视角方面来探讨《傲慢与偏见》的独特魅力. 分析作品中"上帝"般的叙述者的全知视角和人物的有限视角的运用. 全知叙述者无所不知,时而透视主角的内心叙述者还常对人物和事件进行公开和隐蔽的评论,与读者心意相通.使人物栩栩如生,呼之欲出. 时而切换为人物有限视角,使故事发展富于戏剧性和真实性,水到渠成,情节趣味横生. 主角经历了由有限的理智到感情上的傲慢与偏见、克服傲慢与偏见、直到更高的理智的过程,突出了主题.
《오만여편견》시19세기현실주의작가간·오사정적정심지작. 자출판근200년이래,타시종이독특적예술매력비수독자여평론가적청래.문장운용서사학이론,시종서사시각방면래탐토《오만여편견》적독특매력. 분석작품중"상제"반적서술자적전지시각화인물적유한시각적운용. 전지서술자무소불지,시이투시주각적내심서술자환상대인물화사건진행공개화은폐적평론,여독자심의상통.사인물허허여생,호지욕출. 시이절환위인물유한시각,사고사발전부우희극성화진실성,수도거성,정절취미횡생. 주각경력료유유한적리지도감정상적오만여편견、극복오만여편견、직도경고적리지적과정,돌출료주제.
Pride and Prejudice is Jane Austen's classic work in the 19th century. Since published for nearly two hundred years, it has always attracted readers and critics for its unique artistic charm. With the theory of narratology, this paper tries to explore the unique charm of Pride and Prejudice from the aspect of narrative perspectives. It analyzes the narrator's omniscient point of view, and the use of characters' limited angle of view. Omniscient narrator knows everything, and sometimes comments on the characters and events in public and secretly. Thus the characters are vividly portrayed. Sometimes it switches to a limited point of view, which contributes to dramatic story development and authenticity, smoothness, and interesting plot. The protagonists experience limited reason, pride and prejudice, and overcome pride and prejudice, reaching genuine reason ultimately, highlighting the theme.