CAJ | 학술논문

毕飞宇的中篇小说围绕着戏剧曲目《奔月》获得公演机会,借助戏剧中"青衣"这一角色的不同人物的深情演绎及个人式体悟,用现实主义的笔触深刻地展现了当代女性群体的生存困境.贯穿文本始终的悲剧意识不单单指向了负载着艺术色彩的"青衣形象"筱燕秋及春来等人的身上,同时作家还将这种浓重的悲剧意识定格在了当代社会纯文艺样式存活质量的严重下滑层面,定格在了它的发展空间的骇人化萎缩层面.
필비우적중편소설위요착희극곡목《분월》획득공연궤회,차조희극중"청의"저일각색적불동인물적심정연역급개인식체오,용현실주의적필촉심각지전현료당대녀성군체적생존곤경.관천문본시종적비극의식불단단지향료부재착예술색채적"청의형상"소연추급춘래등인적신상,동시작가환장저충농중적비극의식정격재료당대사회순문예양식존활질량적엄중하활층면,정격재료타적발전공간적해인화위축층면.
The medium-length novel by Bi Feiyu is about the drama Flying to the Moon premiere with the help of performing the role Qing Yi,deeply showing the plights of contemporary women. Tragic consciousness throughout the text not only refers to the image of Qing Yi Xiao Yanqiu and etc. The writer also put the strong tragic consciousness in the serious decline in the quality of pure literary style of the contemporary society and in its development space of the shrinking humanization level.