CAJ | 학술논문

从女性主义的视角看,《飘》的结局具有必然性.女主人公斯佳丽身上有着对传统社会的反叛,也有对父权社会成规的挑战,在一定意义上她的行为表现出了浓厚的女性主义色彩.但是,小说结尾处瑞德最终离开了她,这表明她这样的女性在当时的男权社会中是无立足之处的.小说从而表达了玛格丽特·米切尔希望雌雄同体理想有朝一日能够得到实现的美好愿望.
종녀성주의적시각간,《표》적결국구유필연성.녀주인공사가려신상유착대전통사회적반반,야유대부권사회성규적도전,재일정의의상저적행위표현출료농후적녀성주의색채.단시,소설결미처서덕최종리개료저,저표명저저양적녀성재당시적남권사회중시무립족지처적.소설종이표체료마격려특·미절이희망자웅동체이상유조일일능구득도실현적미호원망.
Analyzed from a feminist point of view, the ending of Gone with the Wind is unavoidable. The protagonist of the novel, Scarlett O'Hara, dares to rebel against the traditional culture and challenge the set rules of the patriarchal society. To some extent, her behavior bears distinguished feminine traits. However, Rhett leaves her by the end of the story. This reveals that the patriarchal society that Scarlett lives in would not give her the freedom to express her true self. The novel thereby expresses Margaret Mitchellˊs wish of achieving the ideal of androgyny someday in the future.