CAJ | 학술논문

由唐入宋，中国传统审美文化发生了巨大转变。在这一背景下，宋代美学以自己的独特视角重新解读了杜甫：将其刚健的人格精神和诗学风貌沉潜为整个时代的美学底蕴；以其沉郁气质约束自我重塑了一个老朴、平淡而不乏典雅的老杜形象，随着时代的发展，杜诗的世俗化倾向也得到进一步发扬。这些貌似不相协调的侧面有机融合为一个整体，折射出了宋代美学的绚烂多姿。两宋美学对杜甫的多层面接受，是在时代文化制约下一种合理的再“发明”。
유당입송，중국전통심미문화발생료거대전변。재저일배경하，송대미학이자기적독특시각중신해독료두보：장기강건적인격정신화시학풍모침잠위정개시대적미학저온；이기침욱기질약속자아중소료일개로박、평담이불핍전아적로두형상，수착시대적발전，두시적세속화경향야득도진일보발양。저사모사불상협조적측면유궤융합위일개정체，절사출료송대미학적현란다자。량송미학대두보적다층면접수，시재시대문화제약하일충합리적재“발명”。
Chinese traditional aesthetic culture had undergone tremendous changes during the transitional period from Tang dynasty to Song dynasty .The aesthetes of Song dynasty reinterpreted Du Fu from a unique perspective:The virile personality spirit and poetic style of Du Fu became the aesthetic gist of the whole time;He with gloomy temperament was reshaped as an old , simple and elegant man .With the development of the times , the secular trend of Du Fu's poetry was also further carried forward .These seemingly disharmonious sides were integrated into a whole organically , reflecting the brilliant and colorful aesthetics of Song dynasty .The multi-dimensition acceptance of Du Fu by the aesthetics of the two Song dynasties was a reasonable reinvention restricted by the times and culture .