CAJ | 학술논문

风景不仅仅是一种客观的美,更具有文化的意义. 这种对日常生活中的风景颇具革命性的发现竟然始于"死亡". 一次偶然的"雷峰塔倒掉事件"使得"陈旧之物"重新显现. 徐志摩、刘大白、鲁迅生于吴越、长于吴越,分享共同的地域文化和历史景观,但他们笔下的雷峰塔却极具个性和创造性. 对于徐志摩而言,雷峰塔是爱与美的梦幻的化身;对于刘大白而言,雷峰塔与地域文化紧紧相连,如同阴阳,如同冷暖,如果说吴越文化是女性的,雷峰塔便透着阳刚的力量,"雷峰塔的倒掉"导致了吴越文化中英雄气质的缺失;对于鲁迅而言,雷峰塔腐朽、罪恶、带着过去时代陈旧的印记,是他所憎恨和批评的,于是,雷峰塔的倒掉也便预示着一种希望、一种新生的可能.
풍경불부부시일충객관적미,경구유문화적의의. 저충대일상생활중적풍경파구혁명성적발현경연시우"사망". 일차우연적"뢰봉탑도도사건"사득"진구지물"중신현현. 서지마、류대백、로신생우오월、장우오월,분향공동적지역문화화역사경관,단타문필하적뢰봉탑각겁구개성화창조성. 대우서지마이언,뢰봉탑시애여미적몽환적화신;대우류대백이언,뢰봉탑여지역문화긴긴상련,여동음양,여동랭난,여과설오월문화시녀성적,뢰봉탑편투착양강적역량,"뢰봉탑적도도"도치료오월문화중영웅기질적결실;대우로신이언,뢰봉탑부후、죄악、대착과거시대진구적인기,시타소증한화비평적,우시,뢰봉탑적도도야편예시착일충희망、일충신생적가능.
Landscape is both of objective beauty and of cultural significance. This revolutionary concept of landscape in daily life o-riginated from "death". An accidental "Leifeng Pagoda collapsing incident" brought new life to the "antiquity". Xu Zhimo, Liu Dabai and Lu Xun were all born in the Wu-Yue district. They share common geographical, cultural and historical sights, but they describe the Leifeng Pagoda with their own personality and creativity. To Xu Zhimo, the Pagoda is a dream of love and beauty. To Liu Dabai, the Pagoda and regional culture are closely linked as yin and yang;if Wu-Yue culture is compared to a woman, the Pa-goda has a masculine force;"the collapse of the Pagoda" leads to the absence of heroic qualities of the Wu-Yue culture. To Lu Xun, the Pagoda, which he hates and criticizes, is corrupt and evil with the imprint of an old era;its collapse indicates the chance of a new and hopeful future.