CAJ | 학술논문

中国广播剧文学是在上海的抗战宣传中诞生的,成为记载中国抗日战争的独特档案. 上海的抗日广播剧曾广为演播,影响巨大,在抗战时期既满足了中国人民的审美需要,也发挥了很好的宣传教育作用. 它以"八·一三"淞沪抗战爆发为界,可以划分为前后两个时期. 从1933年1月到1937年8月为前期,以"九·一八"事变和"一·二八"淞沪抗战为取材视阈,是以自诉式的国难书写为主,大力暴露日寇的侵略暴行,显示了中国人民强烈的抗日要求;后期是指从1937年8月开始到20世纪40年代,除《爆炸》之外,都是以"八·一三"淞沪抗战为题材,表现了以身许国的共同主题,暴露了日寇侵略的血腥罪行,描写中国人民抗日的悲壮历程. 上海广播剧塑造了一批鲜活的艺术形象,无论是抗日英雄形象,还是爱国民众形象,或者是那些拘于个人小天地而不顾亡国灭种危机的卑怯者形象,都丰富了中国现代文学的人物画廊,广泛地反映了中国抗战时期的社会现实,揭示了日寇入侵后中国社会的复杂状况. 上海的抗日广播剧文学以其独特的审美形态——灵活自如的叙事形态、立体放射的人物语言和准确真实的音响效果,彰显了中国广播剧文学的文体独特性,显示了中国现代广播剧的成熟.
중국엄파극문학시재상해적항전선전중탄생적,성위기재중국항일전쟁적독특당안. 상해적항일엄파극증엄위연파,영향거대,재항전시기기만족료중국인민적심미수요,야발휘료흔호적선전교육작용. 타이"팔·일삼"송호항전폭발위계,가이화분위전후량개시기. 종1933년1월도1937년8월위전기,이"구·일팔"사변화"일·이팔"송호항전위취재시역,시이자소식적국난서사위주,대력폭로일구적침략폭행,현시료중국인민강렬적항일요구;후기시지종1937년8월개시도20세기40년대,제《폭작》지외,도시이"팔·일삼"송호항전위제재,표현료이신허국적공동주제,폭로료일구침략적혈성죄행,묘사중국인민항일적비장역정. 상해엄파극소조료일비선활적예술형상,무론시항일영웅형상,환시애국민음형상,혹자시나사구우개인소천지이불고망국멸충위궤적비겁자형상,도봉부료중국현대문학적인물화랑,엄범지반영료중국항전시기적사회현실,게시료일구입침후중국사회적복잡상황. 상해적항일엄파극문학이기독특적심미형태——령활자여적서사형태、입체방사적인물어언화준학진실적음향효과,창현료중국엄파극문학적문체독특성,현시료중국현대엄파극적성숙.
The Chinese radio drama literature was born in the war-time publicity in Shanghai, and became a unique file of the Chi-nese War of Resistance against Japanese Aggression. Shanghai anti-Japanese radio drama was widely and influentially on the studio in the period of the anti-Japanese war, not only meeting the aesthetic needs of the Chinese people but also playing a very positive role in publicity and education. It can be divided into two stages with the outbreak of August the 13th Songhu Battle of Resistance as a division line. The former stage starts from January 1933 to August 1937. The materials, taken from September the 18th Incident and January the 28th Songhu Battle of Resistance, are written in a private prosecution of national calamity, vigorously exposing the Japanese aggression and atrocities and showing the Chinese people's strong demand for resistance to Japan; the latter stage is from August 1937 to the 1940's. With the exception of the drama entitled "Explosion", all the other drama works take August the 13th Songhu Anti-Japanese War as a subject matter, the common theme of sacrifice for the country, not only exposing the bloody crimes of the Japanese aggression and describing Chinese people's tragic history in the War of Resistance against Japanese Aggression. A batch of fresh and lively artistic images created in Shanghai radio drama, either the anti-Japanese hero images, or the patriotic pub-lic images, or those mean and cowardly images arrested in the world regardless of the crisis of national subjugation and genocide, en-rich the gallery of characters of modern Chinese literature, widely reflecting the social reality of China in the period of anti-Japanese war, and at the same time revealing the complicated situation of China after Japanese invasion. In its unique aesthetic form, a flexi-ble narrative form, and with its three-dimensional radiation of the characters' proper diction of language and precise and real sound effects, Shanghai anti-Japanese radio drama literature highlights the unique style of the Chinese radio drama, which indicates the maturity of this art form.