江西师范大学学报（哲学社会科学版）
江西師範大學學報（哲學社會科學版）
강서사범대학학보（철학사회과학판）
Journal of Jiangxi Normal University (Philosophy and Social Sciences Edition)
2015年
5期
140-144
,共5页
金陵判词%一声两歌%杨译%霍译
金陵判詞%一聲兩歌%楊譯%霍譯
금릉판사%일성량가%양역%곽역
Panic%two songs in one voice%A Dream of Red Mansions translated by Yang & Glades%The Story of the Stone translated by Hawkes
《红楼梦》是我国古典小说的巅峰,其思想性和艺术性高度地融合在一起.作为整部小说的"文眼","诗谶"金陵判词对作品中故事的走向和人物命运进行了宏观的预告,充分体现了"一声两歌"笔法的艺术特色.在判词中作者使用双关、析字、藏词、典故和委婉语等,展现了"一声两歌"笔法的艺术特色.以杨译本和霍译本为例,运用文本解读、语言文化对比分析和量化统计分析等具体方法来分析判词英译,考察译者如何处理这些"一声两歌"笔法现象.研究发现,英汉文化和语言方面的差异以及"一声两歌"笔法的艺术特色给判词英译带来了种种障碍,两译本都没能很好地做到"译彩纷呈".
《紅樓夢》是我國古典小說的巔峰,其思想性和藝術性高度地融閤在一起.作為整部小說的"文眼","詩讖"金陵判詞對作品中故事的走嚮和人物命運進行瞭宏觀的預告,充分體現瞭"一聲兩歌"筆法的藝術特色.在判詞中作者使用雙關、析字、藏詞、典故和委婉語等,展現瞭"一聲兩歌"筆法的藝術特色.以楊譯本和霍譯本為例,運用文本解讀、語言文化對比分析和量化統計分析等具體方法來分析判詞英譯,攷察譯者如何處理這些"一聲兩歌"筆法現象.研究髮現,英漢文化和語言方麵的差異以及"一聲兩歌"筆法的藝術特色給判詞英譯帶來瞭種種障礙,兩譯本都沒能很好地做到"譯綵紛呈".
《홍루몽》시아국고전소설적전봉,기사상성화예술성고도지융합재일기.작위정부소설적"문안","시참"금릉판사대작품중고사적주향화인물명운진행료굉관적예고,충분체현료"일성량가"필법적예술특색.재판사중작자사용쌍관、석자、장사、전고화위완어등,전현료"일성량가"필법적예술특색.이양역본화곽역본위례,운용문본해독、어언문화대비분석화양화통계분석등구체방법래분석판사영역,고찰역자여하처리저사"일성량가"필법현상.연구발현,영한문화화어언방면적차이이급"일성량가"필법적예술특색급판사영역대래료충충장애,량역본도몰능흔호지주도"역채분정".
As the acme of Chinese classic novels,Hongloumeng highly combines the artistic forms with the contents. Panci in Hongloumeng foretells the ending of the story and the fate of the charac-ters,which vividly represents the unique artistic feature,namely,two songs in one voice. In Honglou-meng,this unique artistic feature is used in puns,dissembling characters,hidden words,allusions and euphemisms. This paper taking the two English versions of Hongloumeng as the examples,with the methods of text interpretation,comparative study of language and culture and quantitative analysis, tries to analyze how and why the translators transform this unique artistic feature. After analysis,the paper only finds that the transformation of this unique artistic feature is not so successful and gives its own implications for literary translation and translating Chinese classical poetry into English.
