敦煌研究
敦煌研究
돈황연구
Dunhuang Research
2015年
5期
111-114
,共4页
丝绸之路%文化旅游%数字展陈%创新服务模式
絲綢之路%文化旅遊%數字展陳%創新服務模式
사주지로%문화여유%수자전진%창신복무모식
Silk Road%cultural tourism%digital representation%innovative service mode
通过丝绸之路中国段文化遗产分类、调研、整理,结合文化旅游需求进行价值挖掘,利用文物数字化技术对丝绸之路中国段文化遗产进行全方位、多角度、深层次的数据采集、处理和加工及成果梳理,探索出一种文化旅游展示与体验的方式。展览通过整体设计、精心的组织、合理的安排、主题的突显、完美的策划、巧妙的构思,以数字技术为支撑,全面展示了丝绸之路及敦煌石窟艺术精华,展览虚实结合、动静相依,使得科技与艺术高度融合并相得益彰,解决了丝绸之路文化遗产数量多、分布广,部分文化遗产所处的自然环境恶劣、交通不便、通信不畅等因素所造成的游客无法亲临现场参观体验的困惑和遗憾。以兰州敦煌艺术馆“敦煌艺术走出莫高窟——数字敦煌展”为示范,营造了良好的数字文化展示环境,满足了观众多种需求和个性化的文化体验,形成了丝绸之路中国段文化旅游展示与体验创新服务模式,初步实现科技支撑、文化体验、时空旅游、服务引领的目的和宗旨。
通過絲綢之路中國段文化遺產分類、調研、整理,結閤文化旅遊需求進行價值挖掘,利用文物數字化技術對絲綢之路中國段文化遺產進行全方位、多角度、深層次的數據採集、處理和加工及成果梳理,探索齣一種文化旅遊展示與體驗的方式。展覽通過整體設計、精心的組織、閤理的安排、主題的突顯、完美的策劃、巧妙的構思,以數字技術為支撐,全麵展示瞭絲綢之路及敦煌石窟藝術精華,展覽虛實結閤、動靜相依,使得科技與藝術高度融閤併相得益彰,解決瞭絲綢之路文化遺產數量多、分佈廣,部分文化遺產所處的自然環境噁劣、交通不便、通信不暢等因素所造成的遊客無法親臨現場參觀體驗的睏惑和遺憾。以蘭州敦煌藝術館“敦煌藝術走齣莫高窟——數字敦煌展”為示範,營造瞭良好的數字文化展示環境,滿足瞭觀衆多種需求和箇性化的文化體驗,形成瞭絲綢之路中國段文化旅遊展示與體驗創新服務模式,初步實現科技支撐、文化體驗、時空旅遊、服務引領的目的和宗旨。
통과사주지로중국단문화유산분류、조연、정리,결합문화여유수구진행개치알굴,이용문물수자화기술대사주지로중국단문화유산진행전방위、다각도、심층차적수거채집、처리화가공급성과소리,탐색출일충문화여유전시여체험적방식。전람통과정체설계、정심적조직、합리적안배、주제적돌현、완미적책화、교묘적구사,이수자기술위지탱,전면전시료사주지로급돈황석굴예술정화,전람허실결합、동정상의,사득과기여예술고도융합병상득익창,해결료사주지로문화유산수량다、분포엄,부분문화유산소처적자연배경악렬、교통불편、통신불창등인소소조성적유객무법친림현장삼관체험적곤혹화유감。이란주돈황예술관“돈황예술주출막고굴——수자돈황전”위시범,영조료량호적수자문화전시배경,만족료관음다충수구화개성화적문화체험,형성료사주지로중국단문화여유전시여체험창신복무모식,초보실현과기지탱、문화체험、시공여유、복무인령적목적화종지。
By classifying, investigating, and reorganizing the cultural heritages of the Chinese section of the Silk Road, by exploring their values based on cultural tourism requirements, and through comprehensive, mul-ti-perspective data gathering and processing using digital technologies, a cultural tourism representation and ex-perience has been explored. This exhibition based on digital technologies comprehensively show the essence of both the Silk Road and Dunhuang cave arts through its design, elaborate organization, reasonable arrangement, clear themes, perfect planning, and ingenious ideas. It presents a perfect combination of technologies and art through either virtual tours or real displays. Because the cultural heritage of the Silk Road is so widely distributed in such large quantity, including some out-of-the-way sites in harsh natural environments lacking communi-cation signals, tourists cannot visit or experience them on the spot. Now this problem has been solved by digital technologies. For example, the “Dunhuang Art from the Mogao Grottoes-Digital Dunhuang Exhibition” in the Dunhuang Art Museum in Lanzhou produces a good environment for digital cultural exhibition, meets di-verse tourist needs and personalized cultural experiences, forms an innovative service mode for cultural tourism on the Chinese section of the Silk Road, and accomplishes the fundamental aims of scientific support, cultural experience, space-time tourism and service-orientation.