CAJ | 학술논문

饶宗颐是当代身兼学人、文人、诗人、书画艺术家、音律学家多位一体的学贯古今中外的“通儒”式大学者。他以广博的学养、简约而不简单的禅意和元气充盈的诗心创作书法，其书艺和他的诗词文一样“皆以气行”，气格超俗；与他的琴艺道通为一，韵律灵动，高山清音；同他的“学者画”相融，极其注重神韵和自我，追求清旷奇古的意境，在恣肆翰墨的过程中，以“饶家样”的独特面貌驰骋书坛艺海，遗世独立而又从容自得，实已臻化境。
요종이시당대신겸학인、문인、시인、서화예술가、음률학가다위일체적학관고금중외적“통유”식대학자。타이엄박적학양、간약이불간단적선의화원기충영적시심창작서법，기서예화타적시사문일양“개이기행”，기격초속；여타적금예도통위일，운률령동，고산청음；동타적“학자화”상융，겁기주중신운화자아，추구청광기고적의경，재자사한묵적과정중，이“요가양”적독특면모치빙서단예해，유세독립이우종용자득，실이진화경。
Jao Tsung-I is a great master of learning with outstanding achievements, now distinguished nationwide and overseas as a painter, a calligrapher, a string musician as well as a scholar and a poet. This pa?per attempts to give an analysis on the achievements of Jao Tsung-I’s calligraphy and the relationship with po?etry, literature, music Instrument and painting. His calligraphy works are supported by his rich and extensive knowledge and vigorous lyric emotions, His musical art is full of smart rhythms and alpine sounds, in accor?dance with his scholarly paintings, seeking clear and unique conceptions.