海南师范大学学报(社会科学版)
海南師範大學學報(社會科學版)
해남사범대학학보(사회과학판)
Journal of Hainan Normal University (Social Sciences)
2015年
10期
78-86
,共9页
清末民初%时调%小曲%程式化%灵活性
清末民初%時調%小麯%程式化%靈活性
청말민초%시조%소곡%정식화%령활성
the late Qing Dynasty and the early Republic of China%Shi Diao%popular tunes%stylization%in-novation
程式化与灵活性相统一是清末民初时调曲词的一大特征,亦是清末民初时调保持长久旺盛生命力的原因之一。时调的程式化突出表现为创作上的模式化:一方面,一种曲调往往具有固定的腔调、句式、字数,可以根据曲牌填入不同曲词,具有形式上的套路,这就导致清末民初时调中同调异词的现象颇为突出;另一方面,题材或创作手法上相互仿制的现象也较常见。但时调曲词的模式化并不等同于完全雷同,一些不墨守成规的编唱者往往能突破时调的固定程式而创制出富有新意的作品。这就体现了时调曲词的程式化与灵活性相统一的特征。清末民初时调也因此绽放出持久、迷人的风采。
程式化與靈活性相統一是清末民初時調麯詞的一大特徵,亦是清末民初時調保持長久旺盛生命力的原因之一。時調的程式化突齣錶現為創作上的模式化:一方麵,一種麯調往往具有固定的腔調、句式、字數,可以根據麯牌填入不同麯詞,具有形式上的套路,這就導緻清末民初時調中同調異詞的現象頗為突齣;另一方麵,題材或創作手法上相互倣製的現象也較常見。但時調麯詞的模式化併不等同于完全雷同,一些不墨守成規的編唱者往往能突破時調的固定程式而創製齣富有新意的作品。這就體現瞭時調麯詞的程式化與靈活性相統一的特徵。清末民初時調也因此綻放齣持久、迷人的風採。
정식화여령활성상통일시청말민초시조곡사적일대특정,역시청말민초시조보지장구왕성생명력적원인지일。시조적정식화돌출표현위창작상적모식화:일방면,일충곡조왕왕구유고정적강조、구식、자수,가이근거곡패전입불동곡사,구유형식상적투로,저취도치청말민초시조중동조이사적현상파위돌출;령일방면,제재혹창작수법상상호방제적현상야교상견。단시조곡사적모식화병불등동우완전뢰동,일사불묵수성규적편창자왕왕능돌파시조적고정정식이창제출부유신의적작품。저취체현료시조곡사적정식화여령활성상통일적특정。청말민초시조야인차탄방출지구、미인적풍채。
The unity of stylization and flexibility is not only a major characteristic of Shi Diao ( popular tunes) in the late Qing Dynasty and the early Republic of China but also one of the reasons for its longstanding strong vital-ity at that time. The stylization of Shi Diao is distinctly marked by the stereotypic pattern in its creation, that is, on one hand, one tune tends to have its fixed tone, sentence pattern and number of characters, so different tunes and characters can be filled in according to the name of tunes, thus having some settled formula and led to marked ho-mology in the late Qing Dynasty and the early Republic of China;on the other hand, the mutual imitation of tunes in themes and writing techniques were also rather universal. However, the stereotype of Shi Diao ( popular tunes) is not equal to total similarity, for some composers equipped with an innovative spirit would produce innovative works by breaking through the fixed pattern of tunes, which is characteristic of the unity of stylization and flexibility in Shi Diao ( popular tunes) . Therefore, Shi Diao could present such a lasting and charming style in the late Qing Dynasty and the early Republic of China.