海南师范大学学报(社会科学版)
海南師範大學學報(社會科學版)
해남사범대학학보(사회과학판)
Journal of Hainan Normal University (Social Sciences)
2015年
10期
71-77
,共7页
杜牧%关中%山东%心路印记
杜牧%關中%山東%心路印記
두목%관중%산동%심로인기
Du Mu%Guanzhong%Shandong%the imprint of the ideological evolution
文章从杜牧诗文中提炼出“关中”与“山东”两个意象,以这两个意象为线索,追索杜牧的心路历程。“关中”与“山东”两意象体现为多种“落差”:先辈打造的鼎盛的家族与自身颓败的境遇之间的落差;唐太宗、玄宗时期强盛的王朝与安史乱后衰弱的王朝之间的落差;昔日秦汉时繁华富有的长安与晚唐凋零衰落的长安之间的落差;自身的深谋远虑、政治才能之高与遭到朝廷冷落无视、现实地位之低的落差。“山东”意象是向外的、进取式的,是杜牧的政治才情在其诗文中的反映;“关中”乃至“樊川”意象则是向内的、守护式的,是杜牧的心灵之梦在其诗文中的反映。从“山东”与“关中”两个意象,我们能看到杜牧生命中内外两个世界,这两个世界骨肉相依,构成一个丰富的杜牧。
文章從杜牧詩文中提煉齣“關中”與“山東”兩箇意象,以這兩箇意象為線索,追索杜牧的心路歷程。“關中”與“山東”兩意象體現為多種“落差”:先輩打造的鼎盛的傢族與自身頹敗的境遇之間的落差;唐太宗、玄宗時期彊盛的王朝與安史亂後衰弱的王朝之間的落差;昔日秦漢時繁華富有的長安與晚唐凋零衰落的長安之間的落差;自身的深謀遠慮、政治纔能之高與遭到朝廷冷落無視、現實地位之低的落差。“山東”意象是嚮外的、進取式的,是杜牧的政治纔情在其詩文中的反映;“關中”迺至“樊川”意象則是嚮內的、守護式的,是杜牧的心靈之夢在其詩文中的反映。從“山東”與“關中”兩箇意象,我們能看到杜牧生命中內外兩箇世界,這兩箇世界骨肉相依,構成一箇豐富的杜牧。
문장종두목시문중제련출“관중”여“산동”량개의상,이저량개의상위선색,추색두목적심로역정。“관중”여“산동”량의상체현위다충“락차”:선배타조적정성적가족여자신퇴패적경우지간적락차;당태종、현종시기강성적왕조여안사란후쇠약적왕조지간적락차;석일진한시번화부유적장안여만당조령쇠락적장안지간적락차;자신적심모원필、정치재능지고여조도조정랭락무시、현실지위지저적락차。“산동”의상시향외적、진취식적,시두목적정치재정재기시문중적반영;“관중”내지“번천”의상칙시향내적、수호식적,시두목적심령지몽재기시문중적반영。종“산동”여“관중”량개의상,아문능간도두목생명중내외량개세계,저량개세계골육상의,구성일개봉부적두목。
This paper aims to trace Du Mu ' s process of ideological change by extracting two images———“Guanzhong” and “Shandong”———from his poems and prose and taking them as clues. As is found,“Guanzhong” and “Shandong”, two key images recurrent alternatively in Du Mu's poems and prose, are demon-strative of many a“gap”:the gap between the family heyday initiated by the family ancestors and his declining cir-cumstance, the gap between the mighty dynasties during the reign of Emperor Taizhong and Emperor Xuan Zhong and the weak dynasty in the wake of the Rebellion of An Lushan and Shi Siming, the gap between prosperous and wealthy Chang'an during previous Qin and Han dynasties and the declining Chang'an in the late Tang Dynasty, and the gap between Du Mu's great foresight and statesmanship and his neglect by the then imperial court and his conse-quent low social status. If the image “Shandong” is extrovert“ and aggressive, which embodies Du Mu's political talents and emotion in his poems and prose;the image“Guanzhong” and even“Fanchuan” is introvert and defen-sive, which mirrors his dream of the soul in his poems and prose. From the two images———“Shandong” and“Guanzhong”———can be discerned the external and internal world in Du Mu's life, which are interdependent upon each other, thus presenting a multifaceted Du Mu.