CAJ | 학술논문

通过具体材料的梳理,揭示了鲁迅杂对自己杂文的两种态度:在公开发表的文字中,鲁迅对自己的杂文极为自信,甚至自负;但在私人场合——与友人的通信里,则不断地表示对自己杂文的不满,认为自己的杂文写作只是无意义的"打杂",并非真正的创作.与此同时,鲁迅常常表示小说才是真正的创作,他很想专心于这项工作,却已无力去做.
통과구체재료적소리,게시료로신잡대자기잡문적량충태도:재공개발표적문자중,로신대자기적잡문겁위자신,심지자부;단재사인장합——여우인적통신리,칙불단지표시대자기잡문적불만,인위자기적잡문사작지시무의의적"타잡",병비진정적창작.여차동시,로신상상표시소설재시진정적창작,타흔상전심우저항공작,각이무력거주.
By combing concrete materials, the author finds a noticeable phenomenon from Lu Xu's essay writing. This paper puts forward some new views on Lu Xun's essays: although Lu Xun exhibited strong confidence in his public published articles, he expressed dissatisfaction with his essays constantly in private occasions, i.e. in the letters to his friends. And he said his essay writing was something worthless rather than literary creation. At the same time, Lu Xun always hinted that the writing of fiction was real literary creation, and he wanted to concentrate on fiction writing, but he was unable to do this.