景德镇学院学报
景德鎮學院學報
경덕진학원학보
Jingdezhen Comprehensive College Journal
2015年
5期
38-41
,共4页
书画同源%文人画%生成机制
書畫同源%文人畫%生成機製
서화동원%문인화%생성궤제
the homology of painting and calligraphy%literati painting%generating mechanism
“书画同源”是中国美学中一个传统命题，也是传统文人画的主要的绘画理念。通过对其深入解读可以帮助我们全面了解文人画的历史源流、生成机制、美学追求与绘画特点。对于当前文化语境下文人画传统的继承与发扬无疑具有重要意义。
“書畫同源”是中國美學中一箇傳統命題，也是傳統文人畫的主要的繪畫理唸。通過對其深入解讀可以幫助我們全麵瞭解文人畫的歷史源流、生成機製、美學追求與繪畫特點。對于噹前文化語境下文人畫傳統的繼承與髮颺無疑具有重要意義。
“서화동원”시중국미학중일개전통명제，야시전통문인화적주요적회화이념。통과대기심입해독가이방조아문전면료해문인화적역사원류、생성궤제、미학추구여회화특점。대우당전문화어경하문인화전통적계승여발양무의구유중요의의。
"The homology of painting and calligraphy"is a proposition in Chinese traditional aesthetics and the main idea of the traditional literati painting. An in-depth study of it can help us to understand the historical source, generation mechanism, aesthetic pursuit and features of the literati painting. And it is of great significance to inherit and develop the tradition of the literati painting in the current cultural context.
