CAJ | 학술논문

跨文化语境题材的创作必定面临“他者”语言的处理问题。通过考察世界文学史，发现这类题材的作品对于“他者”语言主要有三种不同的处理方式：“越俎代庖”、直接运用和语码转换。语码转换具有独特的文学性功能，主要表现为：具有强大的表现力，能够以小见大，以少胜多，甚至无声胜有声。文学作品中语码转换表现出的主要特征有：非重点性、情境性、提示性。语码转换的运用必须遵循一个原则：保证叙事的连贯性和流畅性。
과문화어경제재적창작필정면림“타자”어언적처리문제。통과고찰세계문학사，발현저류제재적작품대우“타자”어언주요유삼충불동적처리방식：“월조대포”、직접운용화어마전환。어마전환구유독특적문학성공능，주요표현위：구유강대적표현력，능구이소견대，이소성다，심지무성성유성。문학작품중어마전환표현출적주요특정유：비중점성、정경성、제시성。어마전환적운용필수준순일개원칙：보증서사적련관성화류창성。
A writer will inevitably encounter the challenges of dealing with“other”language( s) when he/she is creating the exotic works . Through the study of the history of world literature, we finds that there have been three ways to treat“other”lan-guage( s):substitute, direct use and code-switching. Code switching has an unique literary function, that is, it can reveal the grand significance with a few switched codes and in an objective way. There are three literary characteristics of code-switching:1)it always appears in the narrations of less importance;2)it works contextually;3) it can be understood by means of intimation. To ensure the narrative coherence and fluency is the main principle one should follow when switching codes in his/her works.