CAJ | 학술논문

莫言《檀香刑》是一部“新历史主义”的典范文本，塑造了一些个性鲜明的人物，以狂欢化的叙事来讲述了一段历史，让读者在感受人物悲剧命运的同时，又为其新颖的文学叙事技巧所震撼。作品交织着爱情、亲情、友情和权力的争斗，围绕檀香刑等刑罚为轴线，通过狂欢化的叙事人物、叙事话语、叙事场景，多角度、多层次地揭示了晚清统治必然走向灭亡的那段血腥历史。
막언《단향형》시일부“신역사주의”적전범문본，소조료일사개성선명적인물，이광환화적서사래강술료일단역사，양독자재감수인물비극명운적동시，우위기신영적문학서사기교소진감。작품교직착애정、친정、우정화권력적쟁두，위요단향형등형벌위축선，통과광환화적서사인물、서사화어、서사장경，다각도、다층차지게시료만청통치필연주향멸망적나단혈성역사。
As a typical text of "new historicism", Mo Yan’sSandalwood Punishment created some figures of distinctive characters with wild narrative to tell the story of a period of history. The readers feel the tragic fate of the characters, at the same time, are impressed by its novel literary narrative skills. The work is intertwined with love, affection, friendship and power struggles, with the sandalwood punishment penalty as axis, reveals the rule of inevitable doom of the late Qing dynasty through the wild narrative characters, discourse, scenes, and the history of multi angle.