CAJ | 학술논문

北宋文坛领袖欧阳修关于绘画“画意不画形”的观点，最早推翻中国古代画坛长期流行的韩非观点，深刻反映宋代绘画思潮的重要变化。欧阳修画论针对北宋院体画“专以形似为尚”的时弊，强调传神的重要性，具有贵神韵、重意境、主放逸的美学倾向，对后世画论产生了广泛而深入的影响。
북송문단령수구양수관우회화“화의불화형”적관점，최조추번중국고대화단장기류행적한비관점，심각반영송대회화사조적중요변화。구양수화론침대북송원체화“전이형사위상”적시폐，강조전신적중요성，구유귀신운、중의경、주방일적미학경향，대후세화론산생료엄범이심입적영향。
as the leader of literary circles in the Northern Song dynasty, Ouyang Xiu’s idea about painting is "the artistic inspiration not the painting forms". He was the earliest person to overturn Han Fei’s view in the ancient Chinese painting circles, reflecting the important changes of thoughts in the Song dynasty. Ouyang xiu painting theory was opposed to the current malpractice of “the fashion of painting forms” and emphasized the importance of artistic inspiration. It has an extensive and deep influence on later painting theory.