CAJ | 학술논문

古典文论（诗论）、画论及作品中把意象概括为作者审美意象、读者审美意象、作品艺术意象。中国古诗审美意象，它的特点可以简概为四个字：写意之象。意象是作者根据主观意匠契合主客观材料加工而成的，体现我国艺术重主观、重意兴、重情志、重表现、重象征、重含蓄、重精约、重虚活的民族特色的艺术形象。
고전문론（시론）、화론급작품중파의상개괄위작자심미의상、독자심미의상、작품예술의상。중국고시심미의상，타적특점가이간개위사개자：사의지상。의상시작자근거주관의장계합주객관재료가공이성적，체현아국예술중주관、중의흥、중정지、중표현、중상정、중함축、중정약、중허활적민족특색적예술형상。
Abtsract:Aesthetic imagery, a category which bespeaks a variety of life vitality , is the starting point and focus of attention in the research of Chinese aesthetic categories .In classical Chinese literature ,poetry, paintings and works of arts, imagery is categorized into three constituents , namely,the author’s aesthetic image, the readers’ aesthetic image and the literary works ’ aesthetic image .The characteristic of Chinese poetic aesthetic imagery can be simply summarized in four words:shaping simple and rich imagery .Imagery is processed by integrating the author ’ s sub-jective intention into subjective and objective materials , reflecting the characteristics of China ’ s artistic images, such as attending to subjectivity , empathy , emotion , expressiveness , symbolism , connotation , conciseness and vir-tuality.