CAJ | 학술논문

“九。一八事变”后，日本不但加强了对我国东北地区的武力侵略，而且运用各种手段，开始对我东北同胞进行思想奴役。“卢沟桥事变”之后，“满映”成立，利用其看似正规的电影公司的外衣，借用电影这种最容易被接受的艺术形式，为日本侵略者提供舆论服务。“满映”作为日本军国主义者一手策划和控制的宣传工具，实际上是一个带有强烈殖民主义政治色彩的“糖衣炮弹”，极大残害了我国东北地区的教育以及电影事业的健康发展。
“구。일팔사변”후，일본불단가강료대아국동북지구적무력침략，이차운용각충수단，개시대아동북동포진행사상노역。“로구교사변”지후，“만영”성립，이용기간사정규적전영공사적외의，차용전영저충최용역피접수적예술형식，위일본침략자제공여론복무。“만영”작위일본군국주의자일수책화화공제적선전공구，실제상시일개대유강렬식민주의정치색채적“당의포탄”，겁대잔해료아국동북지구적교육이급전영사업적건강발전。
After the “Mukden Incident”,Japan not only strengthened the armed aggression to China's northeast areas,but also started to slave the thought of the people in the northeast areas by using various means.After the “Lugou Bridge Incident”,the“Manchuria Film”was established.The “Manchuria Film”provided public opinion services for the Japanese aggression by u-sing the seemingly formal film coat and borrowing the form of the movies,the most acceptable form of art.As a propaganda means,which planned and controlled by the Japanese militarists,the “Manchuria Film”was in fact a “sugar-coated bullet”with strong political color of colonialism and damaged greatly the healthy development of the education and film industry in North-east of China.