CAJ | 학술논문

“疯子·女神·城里人”是贾平凹乡土小说中所开创的一种独特模式。寄寓着乡土之美、传统文化的女神，在代表乡村非理性、丑陋一面的疯子和“农裔城籍”的城里人之间进行的选择，也是现代社会中以贾平凹为代表的知识分子们面对城乡所进行的自觉的价值选择———抛弃乡土、入赘城市。这一选择所面临的直接后果便是无根和失落。这不仅是这一代知识分子的悲剧，更是乡土和文化本身的悲剧。
“풍자·녀신·성리인”시가평요향토소설중소개창적일충독특모식。기우착향토지미、전통문화적녀신，재대표향촌비이성、축루일면적풍자화“농예성적”적성리인지간진행적선택，야시현대사회중이가평요위대표적지식분자문면대성향소진행적자각적개치선택———포기향토、입췌성시。저일선택소면림적직접후과편시무근화실락。저불부시저일대지식분자적비극，경시향토화문화본신적비극。
The madman, the goddess and the oppidan is a unique mode of Jia Pingwa’ s local novels. The goddess of the local beauty and traditional culture, gives a choice between the madman which represents the irrational, ugly side of the country and the op-pidan of "city of agricultural origin", which is also the conscious choice of the intellectuals represented by Jia Pingwa when faced the value choice of urban and rural areas on own initiative:leave the country and enter the city. The direct consequence of the choice is no root and lost, which is not only the tragedy of this generation intellectuals, but also it is the tragedy of native and the culture them-selves.