CAJ | 학술논문

孙瑜是中国早期电影的代表人物, 其作品具有鲜明的个人风格. 由于他系统的电影知识是在美国留学时所取得, 因此在电影的空间观念上, 孙瑜坚持以叙事为核心的整体空间观, 在剪辑上使用美国电影建立的 "连贯性系统". 20 世纪30 年代中国内忧外患的社会现实使孙瑜电影在影像语言的表达上突破封闭空间, 学习借鉴苏联杂耍蒙太奇风格, 直接与观众对话.
손유시중국조기전영적대표인물, 기작품구유선명적개인풍격. 유우타계통적전영지식시재미국류학시소취득, 인차재전영적공간관념상, 손유견지이서사위핵심적정체공간관, 재전집상사용미국전영건립적 "련관성계통". 20 세기30 년대중국내우외환적사회현실사손유전영재영상어언적표체상돌파봉폐공간, 학습차감소련잡사몽태기풍격, 직접여관음대화.
Sun Yu is a representative figure of early Chinese films, whose works have a bright per-sonal style.Since his systematic knowledge about cinema was gained during studies in America, Sun insisted a whole concept of space with narration as the core and used the"continuity system" estab-lished by American films in editing.Driven by domestic strife and foreign aggression in the 1930s, Sun broke through the closed space in his expression of image language, learned montage styles from sideshows in the Soviet Union and had a direct dialogue with the audience.