CAJ | 학술논문

在中国传统戏曲理论的进程中, 始终伴随着对戏曲 "体贴人情物理" 本质特征的认识. 结合元明清曲论家的言说和论述, 再辅之以具体的文本分析, 可以认识到 "体贴人情物理" 不仅是戏曲创作的目的和艺术追求, 而且是戏曲创作的途径、方式和规律. 从文献的角度厘清 "体贴人情物理" 的内涵与意义, 对认识戏曲文体的特征、研究传统戏曲的创作理论具有重要意义, 这是认识戏曲特征的创作论视界.
재중국전통희곡이론적진정중, 시종반수착대희곡 "체첩인정물리" 본질특정적인식. 결합원명청곡론가적언설화논술, 재보지이구체적문본분석, 가이인식도 "체첩인정물리" 불부시희곡창작적목적화예술추구, 이차시희곡창작적도경、 방식화규률. 종문헌적각도전청 "체첩인정물리" 적내함여의의, 대인식희곡문체적특정、 연구전통희곡적창작이론구유중요의의, 저시인식희곡특정적창작론시계.
The progress of traditional Chinese opera theory is always accompanied by the under-standing of"consideration for human feelings and things" as its essential characteristics.By citing the statements of opera researchers in the Yuan, Ming and Qing Dynasties, the paper makes a spe-cific textual analysis of them and argues that the consideration for human feelings and things is not only the objective and artistic ambition but also approach and law of opera creation.To clarify the connotation and meaning of the consideration for human feelings and things from the perspective of literature is significant for our understanding of the stylistic features of opera and studies on its crea-tion theories.