CAJ | 학술논문

以七声配十二律, 可得十二宫、七十二调, 合称八十四宫调, 其中未有 "仙吕入双角 (调)" 之名. 隋唐以来的实际音乐实践中, 十二宫并未全用, 最多只用七宫. 然而, 戏曲曲谱常以 "九宫" 命名, 编纂体例也以九宫为线索统辖曲牌. 实际上, "九宫" 之名虽属燕乐宫调之范畴, 但在明清之理论典籍以及南北曲谱中已没有了调高的理论意识, "仙吕入双角 (调)" 也只是曲牌组合而已, 并无他意, 两者皆有名无实. 此外, 笛上七调顺序, 常有 "高不过五, 下不过乙" 之称, 而《碎金词谱》 "凡例" 中所称 "下不过上, 上不过乙", 乃音阶之顺序排列.
이칠성배십이률, 가득십이궁、 칠십이조, 합칭팔십사궁조, 기중미유 "선려입쌍각 (조)" 지명. 수당이래적실제음악실천중, 십이궁병미전용, 최다지용칠궁. 연이, 희곡곡보상이 "구궁" 명명, 편찬체례야이구궁위선색통할곡패. 실제상, "구궁" 지명수속연악궁조지범주, 단재명청지이론전적이급남북곡보중이몰유료조고적이론의식, "선려입쌍각 (조)" 야지시곡패조합이이, 병무타의, 량자개유명무실. 차외, 적상칠조순서, 상유 "고불과오, 하불과을" 지칭, 이 《쇄금사보》 "범례" 중소칭 "하불과상, 상불과을", 내음계지순서배렬.
To match seven notes with twelve temperaments, we can get twelve Gong tones and sev-enty-two Diao tones, which are called eight-four modes of music, without the name of "xiaolv ru shuangjiao ( tone)".In the real music practice since the Sui and Tang Dynasties, not all the twelve Gong tones have been used, among which at most seven were applied.However, music scores of the traditional Chinese opera are usually named after nine Gong tones, and Qu tunes are also governed under the guide of nine Gong tones in compiling styles.In fact, although the name of nine Gong tones belongs to the category of music modes in royal court music, theories on its tones cannot be found in ancient books of the Ming and Qing Dynasties or scores of the Northern and Southern Dy-nasties."Xianlv ru shuangjiao ( tone)" is only a combination of tune names with no real meaning. Thus, the two remain in name only.Furthermore, the sequence of flute' s seven tones is often con-sidered as"not higher than wu, not lower than yi", while the statement of"not lower than shang, not higher than yi" in the"guide to the use of the book" of Suijin Cipu ( an independent tune book) refers to the order of scale.