CAJ | 학술논문

老子作为道家创始人, 其美学思想对中国古典美学和艺术具有本源性的意义, 也从根本上影响了中国古代绘画的存在形态. 具体言之, 在空间形态上, 老子美学催生了中国画"虚实相生" 的空间意识和 "大象无形" 的形态追求; 在时间形态上, 老子美学孕育了中国画 "以古为源" 的时间观念和 "蔽而新成" 的艺术趣味; 在情境塑造上, 老子美学影响了中国画 "以静为根, 静中求动" 的状态追求; 在色彩呈现上, 老子美学奠定了中国艺术"不贵五彩, 以素为美" 的色相趣味.
노자작위도가창시인, 기미학사상대중국고전미학화예술구유본원성적의의, 야종근본상영향료중국고대회화적존재형태. 구체언지, 재공간형태상, 노자미학최생료중국화"허실상생" 적공간의식화 "대상무형" 적형태추구; 재시간형태상, 노자미학잉육료중국화 "이고위원" 적시간관념화 "폐이신성" 적예술취미; 재정경소조상, 노자미학영향료중국화 "이정위근, 정중구동" 적상태추구; 재색채정현상, 노자미학전정료중국예술"불귀오채, 이소위미" 적색상취미.
As the founder of Taoism, Laocius' aesthetic thoughts have an endogenous meaning for Chinese classical aesthetics and art, which also fundamentally influence the existing forms of ancient Chinese paintings.Specifically, they create the spatial consciousness of "intergeneration of nihility and reality" and pursuit of"shapeless great forms" in terms of spatial morphology , generate the time sense of "taking the ancient time as the source" and artistic interest in "depositing the stale and bringing into the fresh" in terms of time morphology, affect the state pursuit of"stillness as the root, movement from stillness" in terms of situation creation, and establish the color taste of considering"the plain being beautiful, the colorful not valuable" in terms of color presentation.