上饶师范学院学报
上饒師範學院學報
상요사범학원학보
Journal of Shangrao Normal College
2015年
5期
83-86
,共4页
油画风景写生%“似与不似之间”%辨析
油畫風景寫生%“似與不似之間”%辨析
유화풍경사생%“사여불사지간”%변석
oil scenery painting%“resemblance or non-resemblance”%analysis
油画风景写生的“似与不似之间”是具象与抽象、写实与写意、有形与无形的对立统一。辨析“似与不似”的艺术内涵，合理把握二者之间的关系，从而寻求写生语言的审美境界，提升写生的艺术品质，可以避免写生步入公式化、照片化、趋同化的误区，使写生生发出创造活力与生机。实现这一目标，离不开艺术家借古开今的学养、外师造化的实践、澄怀观道的胸襟。
油畫風景寫生的“似與不似之間”是具象與抽象、寫實與寫意、有形與無形的對立統一。辨析“似與不似”的藝術內涵，閤理把握二者之間的關繫，從而尋求寫生語言的審美境界，提升寫生的藝術品質，可以避免寫生步入公式化、照片化、趨同化的誤區，使寫生生髮齣創造活力與生機。實現這一目標，離不開藝術傢藉古開今的學養、外師造化的實踐、澄懷觀道的胸襟。
유화풍경사생적“사여불사지간”시구상여추상、사실여사의、유형여무형적대립통일。변석“사여불사”적예술내함，합리파악이자지간적관계，종이심구사생어언적심미경계，제승사생적예술품질，가이피면사생보입공식화、조편화、추동화적오구，사사생생발출창조활력여생궤。실현저일목표，리불개예술가차고개금적학양、외사조화적실천、징부관도적흉금。
The“resemble or not”of oil scenery painting is the unity of opposites between concreteness and abstractness ,reality and imagination ,tangibleness and in-tangibleness .Thus it is to analyze the artistic connotation of “resemble or not” and reasonably balance the relation between them ,so as to explore the aesthetic realm of the language of painting from life ,improve the artistic quality of painting from life ,avoid the mistakes ,such as formulation ,photoing and assimilation ,and bring creativity and vigor to the painting from life .The artists’ accomplishments in learning and inheriting the past for the present new creation ,the practice of respecting nature and the thinking of viewing the world with a clean heart can really guarantee the realization of the above goals .
