上饶师范学院学报
上饒師範學院學報
상요사범학원학보
Journal of Shangrao Normal College
2015年
5期
75-82
,共8页
上饶民歌%号子%“一领众和”%律动性
上饒民歌%號子%“一領衆和”%律動性
상요민가%호자%“일령음화”%율동성
Shangrao folk songs%work songs%“one leads singing and others join in”%rhythm
上饶号子的演唱形式以“一领众和”为基本形式，其领与和的关系主要有四种结合方式。调式调性特征以徵调式为主，宫调式和羽调式次之，各调式以五声音阶为主，有少数五声性的六声音阶和四声音阶。节奏律动以长律型和平律型为主。歌词可分为四种类型，有的歌词具有较高的艺术价值，有的歌词由数字和衬词结合，具有特殊的审美价值。
上饒號子的縯唱形式以“一領衆和”為基本形式，其領與和的關繫主要有四種結閤方式。調式調性特徵以徵調式為主，宮調式和羽調式次之，各調式以五聲音階為主，有少數五聲性的六聲音階和四聲音階。節奏律動以長律型和平律型為主。歌詞可分為四種類型，有的歌詞具有較高的藝術價值，有的歌詞由數字和襯詞結閤，具有特殊的審美價值。
상요호자적연창형식이“일령음화”위기본형식，기령여화적관계주요유사충결합방식。조식조성특정이징조식위주，궁조식화우조식차지，각조식이오성음계위주，유소수오성성적륙성음계화사성음계。절주율동이장률형화평률형위주。가사가분위사충류형，유적가사구유교고적예술개치，유적가사유수자화츤사결합，구유특수적심미개치。
The basic singing form of Shangrao work songs is “one leads singing and others join in” ,and there are four combining methods in the relation between leading and joining .The tonal mode and the tonal quality are characterized firstly by Hui tone ,and then by Gongdiao tone and Yudiao tone ,each of which gives priority to five-tone scale ,a minority of which give priority to six -tone scale and four-tone scale but with a flavor of five -tone .The rhythm is mainly long rhythm and stable rhythm .The lyrics in-clude four types ,some of which have a high artistic value ,some of which are the combination of figures and padding syllables and have a special aesthetic value .
