江苏师范大学学报(哲学社会科学版)
江囌師範大學學報(哲學社會科學版)
강소사범대학학보(철학사회과학판)
Journal of Jiansu Normal University (Philosophy and Sciences Edition)
2015年
6期
33-36
,共4页
宋元南戏%郑琼英%杨曼卿%《借烛寻珠》%《子母冤家》
宋元南戲%鄭瓊英%楊曼卿%《藉燭尋珠》%《子母冤傢》
송원남희%정경영%양만경%《차충심주》%《자모원가》
Zheng Qiongying%Yang Manqing%Jie Zhu Xun Zhu%Zimu Yuanjia
宋元南戏剧本多已佚失不存,仅存散出或只言片语见于明清各曲选、曲谱中,一鳞半爪,难窥全豹。因此,资料的欠缺,一直是制约宋元南戏研究发展的瓶颈。近年来,有关宋元南戏本事方面的研究亦多据成说,少有进展。本文沿用前辈学者的治学路径和方法,充分运用各种文献材料,在重新探索宋元南戏4种存目本事的基础上,得出如下结论:《郑琼英》不是独立剧目,而是元南戏《宋子京鹧鸪天》中的女主角;南戏《杨曼卿》本事出《绿窗新话·杨生私通孙玉娘》;南戏《借烛寻珠》事本《绿窗新话·何会娘通张彦卿》;《子母冤家》戏文是据元杂剧《崔府君断冤家债主》改编而成。
宋元南戲劇本多已佚失不存,僅存散齣或隻言片語見于明清各麯選、麯譜中,一鱗半爪,難窺全豹。因此,資料的欠缺,一直是製約宋元南戲研究髮展的瓶頸。近年來,有關宋元南戲本事方麵的研究亦多據成說,少有進展。本文沿用前輩學者的治學路徑和方法,充分運用各種文獻材料,在重新探索宋元南戲4種存目本事的基礎上,得齣如下結論:《鄭瓊英》不是獨立劇目,而是元南戲《宋子京鷓鴣天》中的女主角;南戲《楊曼卿》本事齣《綠窗新話·楊生私通孫玉孃》;南戲《藉燭尋珠》事本《綠窗新話·何會孃通張彥卿》;《子母冤傢》戲文是據元雜劇《崔府君斷冤傢債主》改編而成。
송원남희극본다이일실불존,부존산출혹지언편어견우명청각곡선、곡보중,일린반조,난규전표。인차,자료적흠결,일직시제약송원남희연구발전적병경。근년래,유관송원남희본사방면적연구역다거성설,소유진전。본문연용전배학자적치학로경화방법,충분운용각충문헌재료,재중신탐색송원남희4충존목본사적기출상,득출여하결론:《정경영》불시독립극목,이시원남희《송자경자고천》중적녀주각;남희《양만경》본사출《록창신화·양생사통손옥낭》;남희《차충심주》사본《록창신화·하회낭통장언경》;《자모원가》희문시거원잡극《최부군단원가채주》개편이성。
Song and Yuan south drama scripts had mostly been lost or had only a word or two in music score of operas of Ming and Qing Dynasties,hardly to see the whole.Therefore,the research made little progress on the Song play in re-cent years.Following the previous academic path and methods,the author tries to explore the four original stories of the Southern Drama in the Song and Yuan Dynasties.The Zheng Qiongying is not an independent repertoire,but the hero-ine of the Song Zijing Partridge Sky ;the original Story of Yang Manqing is from Lv Chuang Xin Hua ;the original Story of Jie Zhu Xun Zhu is from He Huiniang Fornicate with Yanqing Zhang,Lv Chuang Xin Hua , Zimu Yuanjia should be adapted works of the Yuan Zaju Cuifujun Duan Yuanjiazaizhu .