CAJ | 학술논문

2002年以来，中国电影产业迅速发展，年度电影总票房随着国内生产总值的提高而显著提升。电影观众的美学感受基于其心理认知，同时又是社会性地构成。政治的、经济的利益支配电影产业，电影观众的美学感受并非处于纯粹自律的领地。在电影产业化的发展途径中，政治经济学和美学各自作为独立的话语出现，彼此忽略与对抗；美学维度根据想象、感悟、叙事和价值等方面确证自身，电影产业的持久兴盛必当在追求经济效益之外彰显自身的审美特性。
2002년이래，중국전영산업신속발전，년도전영총표방수착국내생산총치적제고이현저제승。전영관음적미학감수기우기심리인지，동시우시사회성지구성。정치적、경제적이익지배전영산업，전영관음적미학감수병비처우순수자률적령지。재전영산업화적발전도경중，정치경제학화미학각자작위독립적화어출현，피차홀략여대항；미학유도근거상상、감오、서사화개치등방면학증자신，전영산업적지구흥성필당재추구경제효익지외창현자신적심미특성。
Since 2002 the Chinese film industry has developed fast and its annual box office revenue has grown with the in-crease of GDP.As we know, the aesthetic feelings of the audience are socially constructed as well as based on their psycho-logical cognition.The film industry is dominated by political and economic interests and the aesthetic feelings of the audience are not entirely autonomous.In the film industry, political economy and aesthetics appear as separate discourses in ignorance of and opposition to each other.The aesthetic dimension of the film industry asserts itself in terms of imagination, compre-hension, narrative ,value and the like.The continued prosperity of the film industry calls for an affirmation of its aesthetic characteristics in addition to the pursuit of profit.