CAJ | 학술논문

从《玉台新咏序》与《花间集序》观之，《玉台新咏》与《花间集》的产生，既有“诗道不出乎变复”的历时性原因，二者以艳情主题、女性形象、情采诉求之“变”实现对正统文学的悖逆；也有“群体的选择与互动”的共时性时空背景，二者都产生于衰世乱局的宫廷与贵族文人的文艺沙龙里，相对于胡夷里巷歌谣或敦煌民间曲子词，是雅文学。《玉台新咏》与《花间集》娱乐、抒情、审美和重视读者的价值取向，丰富和发展了文学的功能。《花间集》对《玉台新咏》的接受，是艳情话语在特定时空中的影响效应，完成了对《玉台新咏》的反思和超越。《玉台新咏》和《花间集》文体本身的社会期许与历史定势，尤其是作品对审美愉悦和情感思想内涵追求的差异，是导致二序文学史地位及评价差异的主要原因。
종《옥태신영서》여《화간집서》관지，《옥태신영》여《화간집》적산생，기유“시도불출호변복”적력시성원인，이자이염정주제、녀성형상、정채소구지“변”실현대정통문학적패역；야유“군체적선택여호동”적공시성시공배경，이자도산생우쇠세란국적궁정여귀족문인적문예사룡리，상대우호이리항가요혹돈황민간곡자사，시아문학。《옥태신영》여《화간집》오악、서정、심미화중시독자적개치취향，봉부화발전료문학적공능。《화간집》대《옥태신영》적접수，시염정화어재특정시공중적영향효응，완성료대《옥태신영》적반사화초월。《옥태신영》화《화간집》문체본신적사회기허여역사정세，우기시작품대심미유열화정감사상내함추구적차이，시도치이서문학사지위급평개차이적주요원인。
From the editorial objective ofYu-Tai-Hsin-YuangPrefaceandHua-Chien-ChiPreface, we can see that their emergence was not only due to the historical cause that poem was nothing else but change, both rebelling against orthodox literature by erotic theme, female image and affection, but also due to the contemporary context of group choice and interaction, both originating from the literature salon of fallen aristocracy scholars and belonging to elegant literature compared to folksong and popular lyrics.Yu-Tai-Hsin-YuangandHua-Chien-Chienriched and developed the function of literature by their entertaining, emotion expressing, esthetical and reader valuing orientation. The acceptance ofYu-Tai-Hsin-YuangbyHua-Chien-Chiimplied the influence of erotic discourse in a specific era, and the reassessment and transcendence ofYu-Tai-Hsin-Yuang. The social expectation and historical momentum of both literature style, especially, the intention discrepancy of esthetical delight and emotional ideology played the vital role in their historical position and evaluation. Consequently, the implication of transformation from aristocratic style to erotic style can be discovered.