CAJ | 학술논문

关于城市爱情的电视剧在市场化之后大致经历了两个阶段，一是大约1992年之前的城市俗世爱情及市民生活的回归，一是90年代中期至今迅速转向都市爱情神话及欲望都市、消费都市的大力展示。后一阶段中爱情逐渐与各种欲望紧密地纠缠在一起，主角大多由普通市民转为城市白领或中产。这种关于都市的想象与文化再造，不仅强化了传媒的城市中心主义与消费主义价值观，而且也再造了社会关系，并一定程度地影响和破坏了都市文化的多元性及公共性。
관우성시애정적전시극재시장화지후대치경력료량개계단，일시대약1992년지전적성시속세애정급시민생활적회귀，일시90년대중기지금신속전향도시애정신화급욕망도시、소비도시적대력전시。후일계단중애정축점여각충욕망긴밀지규전재일기，주각대다유보통시민전위성시백령혹중산。저충관우도시적상상여문화재조，불부강화료전매적성시중심주의여소비주의개치관，이차야재조료사회관계，병일정정도지영향화파배료도시문화적다원성급공공성。
There are two stages that TV dramas of city love have had. One is the period prior to 1992 which was the return of earthly love and the citizen life. The second stage is from the middle of the 1990s to the present that has been the substantial show of urban love myth as well as desires and the consumption. As the latter stage, romance dramas gradually entangle with various desires, and the protagonists are mostly urban white?collar or middle class rather than ordinary people. This kind of urban imagination and cultural reconstruction not only strengthen the city centrism and consumerism values, but also reconstruct the social relations. In a certain extent, this media imagination and cultural reconstruction have been influencing and damaging the pluralism and the publicity of urban culture.