CAJ | 학술논문

少数民族织锦是少数民族女性织造的精美物品。在进入工业社会前，纺织技艺一直与少数民族女性联系在一起，以至于纺织等同于女性在社会生产中的认同。少数民族的性别意识从出生到死亡都贯穿于纺织技艺的过程中。在传统稳定的农耕社会中，少数民族女性以其特有的传承方式在家庭和群体性的各种场合让少数民族织锦技艺在历史长河中得以传承延续。由于织造者基本上都是少数民族女性，因此从纺织开始到最后形成的织锦图案都反映着少数民族女性意识的表达和建构。
소수민족직금시소수민족녀성직조적정미물품。재진입공업사회전，방직기예일직여소수민족녀성련계재일기，이지우방직등동우녀성재사회생산중적인동。소수민족적성별의식종출생도사망도관천우방직기예적과정중。재전통은정적농경사회중，소수민족녀성이기특유적전승방식재가정화군체성적각충장합양소수민족직금기예재역사장하중득이전승연속。유우직조자기본상도시소수민족녀성，인차종방직개시도최후형성적직금도안도반영착소수민족녀성의식적표체화건구。
The ethnic brocade is the beautiful objects which minority women weave. Before entering industrial society, textile craft has been associated with women, so that in the production of textile, textile is equal to the social acceptance of women. Gender consciousness of minorities has been in the process of textile arts from birth to death. In the traditional agricultural society, it is inherited in family and community in its unique way. Because the weavers are mostly minority women, textile reflects and constructs minority female consciousness from the beginning to the end of the formation of the brocade pattern.