CAJ | 학술논문

胡风的"主观战斗精神"与冯雪峰的"主观力"是两人文艺思想的核心概念和思辨基点，两个概念都是在反对"主观公式主义"和"客观主义"的背景下提出的，都坚持现实生活是文艺的基础，都对作家的主观能动性给予了关注。但两个概念的核心内涵也存在差异：对创作过程的解读不同，对创作对象的定位不同，文艺为启蒙与文艺为政治的理论旨向不同。对两个概念的比较既能见出两人文艺思想的差异，也能为当下马克思文论发展提供启示。
호풍적"주관전두정신"여풍설봉적"주관력"시량인문예사상적핵심개념화사변기점，량개개념도시재반대"주관공식주의"화"객관주의"적배경하제출적，도견지현실생활시문예적기출，도대작가적주관능동성급여료관주。단량개개념적핵심내함야존재차이：대창작과정적해독불동，대창작대상적정위불동，문예위계몽여문예위정치적이론지향불동。대량개개념적비교기능견출량인문예사상적차이，야능위당하마극사문론발전제공계시。
Hu Feng's Subjective Fighting Spirit and Feng Xuefeng's Subjective Force are the core concept and the speculative point of their literary thoughts. Two concepts are made in in the background of the opposition of Subjective Formula Doctrine and Objectivism, all insisting that the real life is the basis of art, and paying the attention to the initiative of writer. But there are also differences in the core content of these two concepts: different interpretations of the creative process, the different positioning of creative objects, and different theory aims. Differences of the two literary thoughts also can provide inspiration for the contemporary development of Marxist Literary Theory.