CAJ | 학술논문

明代中期,北方诗坛主要是"台阁体",江南诗人又表现出另外一种创作风格,潜移默化地影响着全国的诗坛.在此背景下,李梦阳能带头掀起一场声势浩大的文学复古运动,除了他具有的文学才华及胆识外,他出生并早年生活过的西北边陲的独特地域文化,无疑对他的思想起了重要的熏染和影响作用.诗歌充满西北地域色彩以及北方作品所具有的雄健朴厚风格,使李梦阳成为明中期诗坛的领袖.
명대중기,북방시단주요시"태각체",강남시인우표현출령외일충창작풍격,잠이묵화지영향착전국적시단.재차배경하,리몽양능대두흔기일장성세호대적문학복고운동,제료타구유적문학재화급담식외,타출생병조년생활과적서북변수적독특지역문화,무의대타적사상기료중요적훈염화영향작용.시가충만서북지역색채이급북방작품소구유적웅건박후풍격,사리몽양성위명중기시단적령수.
The ethos of poetry was dominated mainly by"Tai-ge"style in the north in the middle of the Ming dynasty, whereas another writing style in the south influenced subtly the country's poetic circle. In this context, Li Mengyang opened and led a great literature movement which aimed at restoring ancient writing styles. Apart from his literary talent and courage, Li Mengyang's early experiences in northwest China played an important role in his ideas. Li Mengyan's poetry was full of the northwest regional culture and the powerful forthright style prevalent in the north, which serves to make him the leader of poetic circles in the middle of the Ming Dynasty.