CAJ | 학술논문

从阎连科小说《耙耧天歌》、《桃园春醒》、《风雅颂》情节结构及人物设置等方面的象征含义看,作者的道德出发点并非保守的乡土伦理,而是不乏激进,同时也包纳传统的一种较为暧昧的道德观念.他肯定市场对人的"解放",但也清楚其不彻底性及虚幻性,因此努力构建着自己的理想道德体系,从这一独特立场出发审视当代中国的历史发展,从而形成作家独特的创作风貌.
종염련과소설《파루천가》、《도완춘성》、《풍아송》정절결구급인물설치등방면적상정함의간,작자적도덕출발점병비보수적향토윤리,이시불핍격진,동시야포납전통적일충교위애매적도덕관념.타긍정시장대인적"해방",단야청초기불철저성급허환성,인차노력구건착자기적이상도덕체계,종저일독특립장출발심시당대중국적역사발전,종이형성작가독특적창작풍모.
The symbolic meaning expressed in the plot, structure and characters in Yan Lianke's novels"Palou Tiange", "Taoyuan Chunxing" and "Fengya Song" shows that the author's moral starting point is not a conservative local ethics, but that there are full of radical, traditional ambiguous moral values. He is sure that the market liberates human, but that is incomplete and illusory. He therefore strives to build up his own ideal moral system, from which he would look at the historical development of contemporary China so as to form a unique creation style.